Archive for July, 2009

Religion Books Resurrected

Friday, July 31st, 2009

Lynn Garrett, long-time tracker and editor of the religion category for Publishers Weekly, made some interesting observations about her turf in the 7/27/2009 issue.

The upshot of sales statistics is that the numbers are way down, even for the major players in the field-a 10% drop for 2008 and a projected decline of 4% for 2009. For small presses, I suspect a frightful and more accurate chart could be drawn just based on publishers that shut down vs. survivors.

Garrett says, “What is happening to religion book sales is what has happened to all of us—the economy.”

Of course. But, I think Garrett is closer to the pulse when she acknowledges that we are between mega-bestseller seasons, such as those that powered the 1990s.

“Early in that decade, it was The Celestine Prophecy, Embraced by the Light and Conversations with God,” Garrett notes. “Then, when evangelical Christian books flowed into the mainstream, came the juggernauts: The Purpose-Driven Life, Left Behind, The Prayer of Jabez—all of which ended up selling 20 million-40+-million copies and skewed sales stats for years.”

Every pastor wanting to grow a congregation dreams of being the next Rick Warren. Reality-check time, as in Christians vs. lions. However, great potential remains for pastor-authors and novelists to bring a fresh perspective and vision to niche markets, and thereby do very well—though not again at the level of phenomenon for a while. The market does appear to run in waves: I can look at my father’s bookshelf to see a previous wave of pastor-authors who headlined the self-help field in the 1970s.

“Maybe the bloated sales of The Purpose-Driven Life et al. were like the stratospheric real estate values and Wall Street bonuses-signs of irrationally exuberant times, gone for now, may be gone for good,” predicts Garrett.

The next wave will rise from word-of-mouth (of Tweet?) up through the social media sea. The marketing trawlers that drove the previous bestsellers will not be trusted by seekers and readers. That bodes well for small presses, who have a better chance now at catching the big ones.

whitecloud logo 150p blue Religion Books ResurrectedGarrett reminds us, “The big books, the culture changers, come out of nowhere, unexpected and unduplicatable. Some author somewhere has to write something that strikes a mysterious chord in the souls of millions of readers. The wonderful thing about books is, that could happen anytime.”

Obviously, I would sure like the next one to be a White Cloud Press title.

Media Prep for Authors, Part Two

Tuesday, July 28th, 2009

Authors committed to the long slog of getting steady media attention can benefit from reviewing this second half-dozen media-savvy fundamentals.

7. Respond promptly. Whether the interview request comes from print, radio, TV, or blog, almost certainly the deadline is tight. Even if circumstance makes it impossible for you to put in an appearance or grant that interview, still reply quickly. Reporters are fishing: if there is no response at all, or it comes too late, they won’t come back. They only call busy people, so they understand. If you reply, the boat may come back around.

8. Follow up. Yes, the toughest habit of all. Send thank you notes to the hosts of speaking engagements. Be sure to get and use contact information for every media host and journalist who interviews you, so you can thank them, send an additional news peg or topic hook (hint!), and offer to speak on future occasions. When a journalist gets a good interview from you, chances are high you will be considered a valuable resource for other stories.

9. Be consistent with your image. Methodically review your marketing materials to be sure they reflect the image and “voice” you intend to project. Don’t let any piece get old or obsolete. As you experiment with new media, such as a YouTube video, or new web pages, consciously link these reflections of your professional self to your deliberate public presence. Public relations professionals get the big bucks for ensuring this consistency, but your own editorial eye will do the job.

10. Be around. Participate in social and civic activities. Meet other authors and give freely of your experience, helping them promote their work. What goes around comes around, now more than ever. Also, learn the basics of online social networking so everyone can find you. Get help landing high on a Google search for your name, book title, and best keywords.

11. Keep it fresh. As dogs can smell fear, audiences can smell apathy. So mix it up. Try something new. Use different excerpts from your work, if only so you don’t get bored with it. Find those new angles and tie-ins. Go after new and better endorsements. Team with another expert in your field. Even better, team with someone who disagrees with you. Then, write the new edition or sequel.

12. Listen to your audience, and sell the benefits. The features of your book are not the story. Chances are, your own story is not the story. The inspiration, insight, entertainment, hope for love and prosperity you bring to your audience—these are the benefits, and these are the points of your message to drive home, every time.

Media Prep for Authors, Part One

Friday, July 24th, 2009

If you are an author who has been out stumping for your book, you know the drill. Nevertheless, it is good to review the basics to be sure you can always seize media and marketing opportunities.

Here are half of a dozen obvious—but often difficult to maintain—habits that support your publicity efforts.

1. Always carry your business card. Keep your author card (not your day-job card with your book title scribbled on the back), some sales sheets, and a copy of your book with you at all times. You never know when you might strike up a conversation at the coffee counter with what turns out to be the regional buyer for B &N. You and your book are inseparable companions on this journey.

2. Keep your media materials current. Regularly update your bio, add new endorsements, list your Huffington Post op-eds, and keep your book-signings schedule up to date. That means keeping your website current, too (the hard part). And, if you are working through a publisher, make sure your rep knows what you’ve been up to and what’s next.

3. Keep your “elevator speech” polished. Refine your ‘casual’ about-my-book answer as need be. When someone in the media asks, “What’s it about?” they usually want the Twitter-length answer. That is no excuse to not have a compelling, intriguing reply at the tip of your tongue. Be proud and clear about your special story.

4. Be prepared for interviews, Basic: Get your standard answers down cold. Unless you have already done dozens of interviews, practice your answers to the most common questions you are generally asked. Take out the jargon. Test your answers on friends and strangers. When you are at ease with the familiar softball queries, you can be in balance when you get the hardball gotchas.

5. Be prepared for interviews, Advanced: Pay attention to your field and its place in the news. You never want to first hear breaking news from a reporter calling you to ask about it. Simply track stories that involve your expertise online. Google Alerts are great for this. Then be ready to respond, showing that you at the top of your game.

6. Know the media outlet you are pitching. Be alert to the theme, the host, and the audience demographics. When you get that invitation, watch or listen to the show before you are on it. Just as you craft a query letter to a specific editor, tailor your message to the audience.

(to be continued)

Either/And: The Digital Threat

Friday, July 17th, 2009

Pity the traditional publishers (I include myself here). They follow a craft and compete in an industry steeped in tradition based on technology going back before the Protestant Reformation. Yet, in just a few flying years, ink on paper is “quaint” and the forms, scope, and reach of their products are all new. The entire structure of publishers’ markets has shifted. And no one knows what publishing will look like tomorrow.

wittenburg press Either/And: The Digital Threat

The printing technology that drove the Protestant Reformation. (© G. Kliewer)

Publishers used to just focus on releasing good books. Now they have to be dot-com wizards and social media gurus, too. Now they must not only guide the content into quality form, but also get that content into multiple formats, not knowing which medium will be viable or popular.

“Publishers are really quite busy just managing the traditional business they’ve had,” says John Ingram, chairman, Ingram Content Group (PW 6/29/2009), “and not too many of them have got a bunch of extra capital to come up with their own proprietary digital solutions. All of them need to be looking at digital as a threat and an opportunity.”

Customers want our titles in digital form, or do they? What assumptions? Is it really true you are more likely to buy the paperback if you got the digital version for free? Will you want  to only take a Kindle in your backpack for the summer walkabout? Will that how-to book work for you as an e-book?

Ingram continues, “We live in a world that we call an either/and world, not either/or. Customers want physical goods in some circumstances, digital in others. It’s a daunting task to figure out how to provide that, when your core business is trying to figure out how to shepherd the creation of content.”

The only comfort is that content is still king. The audience is larger than ever—and perhaps more appreciative than ever of great work as it sifts through all the noise. Get the story right, and it matters little if you print it or sing it.

“There is no friend as loyal as a book,” said Ernest Hemingway. When most of our friends are on Facebook, maybe that can still be true?

5 Remedies for Writer’s Block

Friday, July 10th, 2009

Sometimes there is no hope and it is time to wash the dishes or walk the dog. (Dogs are always good for writer’s block, I hear.) However, the deadlines loom and the discipline is essential. To get the words flowing again, try these:

Re-type your previous page. Sure, this is the oldest trick in the book, but that’s because it works. Take a break, then step back a page or two and re-type your work. You use a different part of your brain to do the copy activity. Avoid stopping to edit. Editing can seduce you away from writing, too. Often, by the time you get back to where you froze-up, you’ve got your groove back and you can keep sailing along.

Freewrite. Turn off the internal editor. Hit the Pause button on the deadline. Start a new page. Start writing. Anything. Watermelon watermelon watermelon … If you are old-school at all, I recommend picking up a pen (remember those?) and freewriting by hand. Describe what is directly in front of you. Write a weather report without any punctuation. Just go! Do not write about the subject you are supposed to be writing about; that’s the only restriction. A few pages of this nonsense and usually your brain is ready for disciplined ideas again. Back to work.

Do your homework. If you are working on a nonfiction article and hit writer’s block, most often it means you have not done enough research. You may have trivia and references, but do you have the several pieces of solid support to your thesis? Did you find those few hard-hitting quotes that drive your point home? Inevitably, if you write your way around the anchor quotes, the story falls into place. If this fails, listen to your grade-school teacher and write an outline.

Interview your characters. My all-time favorite remedy when fiction writing stalls is to step out of the story and interview your character.
AU: What were you feeling at this point? I need to understand.
CHAR: Can you keep a secret? I had just realized I was falling in love.
AU: With him? I had no idea! But of course. What happened next?
CHAR: Oh, well, let me tell you …
And you are “chasing after your characters with your pencil” again. Do not be surprised to be scolded by characters you thought you were inventing.

Meditate. If you are writing where a supervisor might cruise past your cubicle any moment, this tip might be problematic. But if you are writing in a good environment, step away from that machine. You do not need to have spent years in a monastery; simply watch your breath rise and fall. Let the thoughts scream through and let them go. Twenty minutes of letting go will do the trick. And it can be considered a trick. It is likely that your monkey-mind/editor voice/inner critic will be so determined to not let you clear your thoughts that it will bubble over with a flood of brilliant ideas for the piece you are writing. In your own good time, smile to yourself and get back to work, refreshed and inspired.

Shared eBooks

Tuesday, July 7th, 2009

As what we call a “book” takes new forms, so does reading. And like publishing and writing, reading is becoming more collaborative and communal. After all, how can books be left out of “social media?’

Easy prediction: e-readers that follow the Kindle generation will be plugged into the web, so you can click through to in-depth links, search words from within the text, and, most importantly, share the experience of the book with others — in real time.

In an earlier post I mentioned Shelfari, part of the Amazon Empire. When eBook readers are fully integrated into the Web, such social network sites will have “rooms” for avatars to discuss popular titles.

Bookglutton.com is ahead of this curve; what they are doing will whet your appetite for borderless (pun intended) reader groups, with applications for beyond-classroom-walls interaction, too. Starting with a smallish public domain collection, they offer an online reader with integrated chat and comment features that can be shared with a group.

All fine and fun to trade notes as you are reading with a friend across the country or with the rest of your English class. But these shared in-text notes could get very exciting for a reader when she realizes that the author himself is in the group and replying to her comments. This platform becomes a new way for authors to attend your reading group discussions “in person.” This is what I mean when I declare that writers and teachers are able to reconnect directly with their audience again, like storytellers around the campfire.

More on Bookglutton.com: Chat While Reading: The Future Of Books? On NPR


(Confluence Book Services is not affiliated with Bookglutton.com in any way, nor does White Cloud Press have any titles available on their site – yet.)

Caught in the Rye

Friday, July 3rd, 2009

Last week, a federal judge granted a preliminary injunction barring the publication in the United States of what J.D. Salinger’s attorneys called an unauthorized sequel to The Catcher in the Rye. Writer and publisher Fredrik Colting sought to publish a U.S. edition of his book, 60 Years Later: Coming Through the Rye.  In it, Colting has Salinger bring back “Mr. C,” now 76 years old, to kill him off and be clear of the fictional character at last.

Judge Deborah Batts ruled that Colting’s work would harm the market for “sequels and other derivative works” from Salinger. According to Publishers Weekly, Salinger has not published or licensed any new work since 1965.

Fredrik Colting contends his book is a “stand-alone” story that is a critique of Salinger’s work. The judge, however, classified Colting’s work as a sequel. The author obviously misjudged the iconic status of Salinger and his work in the American culture. “I’m from Sweden,” Colting told PW. “People don’t go around suing each other here. Maybe I was a little naïve.” Ya think?

Copyright Catches. Aaron Silverman, president of book distributor SCB, was also named in the suit. Silverman frequently scouts for promising titles from European and Asian publishers to distribute U.S. editions. (SCB distributed my White Cloud Press titles for many years.) Apparently, Silverman didn’t see this train coming.

Beyond the impacts it may have on traditional print distribution channels, this case raises troubling questions for the borderless online publishing universe.  If Holden Caulfield is protected by copyright as a character, independent of the fiction in which he appears, where does copyright begin and end? If you publish an unauthorized eBook sequel to an English-language story in Chinese, what legal risk are you taking? It sounds like intellectual property law will be a good field to enter for a long time.

Recluse Redress. There is another irresistible attraction to the Catcher in the Rye case. If the appeal of the case goes to trial, the famously reclusive Salinger may be compelled to be deposed. “If Salinger refuses to comply and answer the defense’s questions, PW notes, “the court can impose sanctions and even dismiss the case. Thus, filing suit against Colting may have put Salinger’s desire for privacy on a collision course with his desire to protect Holden Caulfield.”

I’d rather have Salinger retain his mythic recluse status. But I also worry about the precedents created by this case, particularly as it gives a judge power to declare a work parody or sequel, which is outside the reasonable realm of the courtroom.

“Salinger’s Last Stand: Is Fredrik Colting’s book 60 Years Later fair use or just a ‘goddam phony’?” By Andrew Richard Albanese — Publishers Weekly, 6/22/2009

“Salinger Wins as Judge Blocks Publication of 60 Years Later” By Andrew Albanese — Publishers Weekly, 7/1/2009